No picture on this blog - sorry to offend the purists!  It's always difficult to write a ton about editing because it's a long and technical process and probably not even vaguely interesting to the hardened fan let alone the casual enthusiast.  This week and a half has been really interesting to me (as a first time producer) though - you see our editor, David, is based in London these days.  This means our edit has consisted of him working on the film there and then sending us the Final Cut Pro project file and us watching it here then chatting and exchanging notes over Skype - YAY modern technology.  This is great and we have made some outstanding progress using this method - but nothing beats time spent in an edit suite sitting with your editor. 

It's this time together that can produce the really spot on moments in a film. This "magic" (yes I vomited a little in my mouth there too) happens when a group of creative individuals have time and freedom to experiment. At the end of the day so much of filmmaking is about experimentation - it's art daaahling after all.  That statement may sound odd coming from somebody like me who lambastes the artistes and their arty-farty award-winning shite which so often goes on to win major prizes but is seldom seen by the public at large, but really it isn't. I may not like arthouse cinema generally and often the films aren't my cup of tea, but I can and do admire the singular vision, courage and experimentation that goes to create it.  What disappoints me most is why more mainstream cinema can't be more edgy and experimental (and I don't mean that in a Hollywood marketing - quirky way) what I mean is why the fuck has mainstream cinema become so derivative?  It wasn't always this way - Godfather, Goodfellas, Sunset Boulevard, Some Like It Hot - all felt fresh at the time they came out and were al made by a Studio... what happened? 

This obsession with comic books, remakes and sequels has to stop - it's driving me mad.  And it drives me even more mad that this obsession with "playing it safe" is bleeding into the independent world too!  You know what I'm saying: shoot in one location, use only a few actors don't take risks with framing or shooting style, don't shoot outdoors...  Fuck that - on this we took a ton of risks some backfired spectacularly - but most of them didn't; but if we hadn't taken the risks, if we'd played it safe we wouldn't have those little "bits of magic" (VOMIT) that I'm so proud of.  Tell your story, your way - fuck them - life's too short to do it any other way.

This is something BIG JIMMY DEMARCO and I have been thinking and talking a lot about lately and he wrote a little blog about the same subject from a writer's perspective last week - maybe it all goes back to the gurus?

Garbuttelli is up here at the moment, so instead of emailing project files back and forth we are actually all able to spend time in the edit together.  

It's very gratifying to see the film take shape and once again James and I are grateful to everyone who has helped us get this far.