Today is 13 weeks to the day since we wrapped principle photography on The Stagg Do.  It seems as good a time as any to reflect on the shoot, enough distance has passed to dull the raw emotions that we experienced during those mad, mad 8 days in the summer. And now that Lucas has finished serialising the shoot and all of the mishaps and mistakes that almost resulted in our first film being a clusterfuck, I think it’s a good time to look at the positives - because as much as this was a NIGHTMARE shoot, and it really was, there was a ton of great stuff, too. As ever, the great stuff doesn’t always make the best drama or get talked about, so in an attempt to redress the balance, here goes. 


Jennifer Hegarty

Yep, full disclosure, even though it ended badly, Jennifer was a massive plus point in preproduction and her enthusiasm for The Stagg Do was a big help in getting the film made. Without her initial belief in the project and without her cheerleading from Bristol - we probably would have bottled it and pulled the plug before we even started.  She also brought Ben Moseley and Jen Saguaro with her, and they filled valuable crew positions on the film, not to mention her help in sourcing our bordello room location on Couchsurfing.


The Sound Department SNAFUS

We had a disaster in prep (which I blogged about here) when Dave, our original sound recordist, had to drop out a few days before the shoot.  At the time it felt like a major problem - but as is often the case - the cloud had a silver lining.  We couldn’t find one recordist who was available to cover at short notice - but we did find two who could split the shoot between them - Xander and Jerry who both brought so much to the table. Especially Jerry who has a big old white van full of all sorts of weird stuff that you always find yourself needing on a film shoot.  Dave’s injury and Xander and Jerry’s unavailability for the big reshoot night brought us into contact with yet another locally based recordist - Aris who was great on that night.  Hopefully sound will never be a department where we are lacking in talent ever again. Three mighty finds - all because of a mishap to the original incumbent.


We Broke Lots Of Rules

I’m not talking about those rules, the ones that breaking can (and almost did) destroy the film, rather I’m talking about the unwritten rules that often result in the safe and sanitary fare that is available in cinemas these days.  So what do I mean exactly?  

Well, first off we used non actors. Loads of them.  Pob and Staggy, our two leads, aren’t actors. Pob, who has been in a few of our films before, works in the public sector full time. And Staggy has only done one little thing with us before - he works in the oil and petroleum industry, and is out of the country for half the year.  I know that their on-set difficulties in remembering lines was frustrating for the crew at times - but looking at their performances in the edit, I think it was a risk that more than paid off. There is an honesty and rawness in their acting that I haven’t seen for years, and personally speaking I find that both exhilarating and refreshing. 

Also we shot in the middle of Northumberland, outside in the middle of nowhere. In the night.  This was almost our undoing as the weather decided to be even crappier than usual - and although for the most part there was no rain forecast, it did rain. A lot.  Except of course on Day 7 when we were filming indoors… Ha - just typical really, the result is worthwhile though I think - as the film has a real outdoorsy feel to it. It’s not constrained by the usual ethos of one location in natural light (or better still indoors) with only a couple of actors.


Not A Near Mutiny

I’m not sure there ever was a near mutiny - from all of my conversations with crew during and after the shoot, other than the defections that you’ve read about - nobody was close to walking. And actually, as a direct result of the shoot I have found a whole new group of colleagues and mates - people whom I’d never have met if not for the film.  

I'm sure the whole shoot reads like a total balls up where the press ganged crew narrowly averted disaster and somehow managed to snatch victory from the jaws of defeat.  But in reality I think that other than the disgruntled couple, everyone on the shoot learned something about filmmaking. The thing with this film was for most of the crew it was a first feature, James has directed a few shorts but this was his first feature, same with Richard, our DoP, who is primarily a director and me - I’ve produced a TON of shorts and corporates but this was my first feature film.  So apart from giving them a fully rounded introduction in the ways of filmmaking - the tantrums, the drama, the tears - I think most of them really enjoyed the shoot - at least that's what they told me LOL.  

And of course you’ve already read how a few of our cast were noobs too. We had two runners who had never been on set before - they were half decent runners by the end of the shoot.  It was a small crew, but still the biggest production many of them had been on, also I have to say, we discovered a couple of real diamonds in Simon Herdman and Tina Frank.


The Generosity Of Others

Filmmaking is always a team effort and in that respect The Stagg Do was no different from any other shoot, where it might differ though is in the sheer levels of generosity that we experienced from friends, family, colleagues and crew - and actually even people we don't really know well at all.  So many people and businesses went above and beyond the call of duty to help us get this film made.  That for me is the real story of this shoot, whether it was Dawn Furness who so kindly let me house about 10 people in her 3 bedroomed semi (we were originally going to camp) or whether it was Andy Simpson's mum and dad who didn't kill me when I turned up at their house at midnight with a load of Tesco ready meals.  Then there's the locations - people letting a film crew take over their house (and toilet!!!) - I think I still owe Chris and Deanna about 2 dozen rolls of Andrex!  Anyway look around the Special Thanks Page - everyone on there went an extra mile to help James and I get this film made.  So thank you... We owe you man.


We made a fucking film man

Yep - the most important positive of all!  It’s only taken 9 years - but we FINALLY MADE A FUCKING FILM!  And that can never be taken away from us.  We had a film (Pissheads) that we were supposed to shoot last year - but thanks to some dodgy politics - the financing fell apart… If we’d waited to refinance Pissheads or tried to raise money for one of the other films on our slate, I reckon we’d still be waiting!  But through a series of fortunate breaks and a bit of great timing we came up with The Stagg Do and managed to put it together in about 3 months. James and I are still chuffed to bits that we managed to pull it off - and I really hope you all like the finished film.  

So all in all it was a mixed bag of a shoot  - but you know what? We made a fucking film! Did I tell you that???

Sound people are like hen's teeth up here and as we have a mini-boom happening in production at the moment, any sound crew worth their salt is booked up way in advance.  So when my AD (WonderJen) from Bristol suggested a sound recordist local to her I say "hell yes".  All was great with this arrangement - Dave our recordist had got his buddy Nick to boom operate and they were coming up from Bristol together on Friday. Then last night I got the text that any producer dreads...  

Now to put this in perspective up until yesterday things had gone fairly smoothly with no major crises to report.  So that was kind of a blind side to say the least.  Started panicking this morning - WonderJen started panicking last night!

So finally this morning I get the news - Dave has bust his little finger. And when I say bust I mean smashed to buggery! He's in a full arm cast and therefore incapacitated.  Crap! Time to start ringing around.

Lots of panics and tweets and calls and texts and emails later I'm sorted - sort of.  Two sound recordists are splitting the detail as neither is available for the full shoot due to prior engagements. Aaahh SUHWEET - sort-ed. Now I can relax.  Not so fast sunshine...  Now the boom operator is unavailable!!!

This role has proved even harder to fill - but finally at 10 pm tonight I have a boom op. Well two boom ops filling one role because - you've guessed it neither is available for the entire shoot!  So numbers have doubled - but never mind. Please welcome:

Jerry, Xander, Paul and John - it's like the Beatles without Ringo and George.