As the more observant of you will be aware, on Saturday June 9th 2012, we released the promo for the film (g'wan - check it oot again here). We've had TREMENDOUS feedback from people and loads of views, tweets and likes.
Anyway in keeping with the independent, DIY nature of the production so far we've encouraged a word of mouth push using the cast and crew's personal social media channels - anyway I woke up this morning to this message from Staggy on Facebook! I love the simplicity and honesty of the message. LOL.
Anyway after much laughter and reading of the comments I got on with my morning's work; then this afternoon I logged back on to Facebook to see what was happening and to see if we'd had any more views or likes of the trailer and page. And this is what I saw.
Staggy back on fine form. It's great because I had tried emotional blackmail and that clearly wasn't working - I could write all day on how much I hate Facebook - and many of my so-called friends... but I won't. Suffice to say - is it *really* to much to click the fucking like button??? Unfortunately I'm too polite to call people out on it (and I know I am here - but really who reads this shit anyway?) - particularly if you fricken worked on it! Or if we've pushed your stuff - reciprocity anyone??? Aah whatever - it's never been easy - why would it be now? Anyway enough of my rants... Look what Staggy did next!
I have nothing more to add.
Yesterday we shot the last major sequence from the film. From the start, this sequence was *always* going to be shot outside principle photography because, well mainly because principle photography was really short (8 days) and also because it's a flashback to Pob and Staggy as kids and I knew it would take ages to find the right boys.
DoP Richy Reay (playing the shopkeeper) gives chase
As recently as late January, I was beginning to panic that I'd never find them; I had tried a few casting companies, drama schools and what-not and I was drawing a blank at every turn - and then a coincidence...
A friend of mine posted on Facebook that she was thrilled her son had got the lead role in a local theatre production, I didn't even know her son was into acting. We auditioned Dylan and his mate Torin and as well as a physical resemblance they had just the right amount of mischief for the roles. So we booked the day, rang the ever helpful Ashley at Pinball Films to borrow his jib arm and then went location scouting. James and I spent an afternoon traipsing around the alleys of Walker but we couldn't find what we were looking for - the crappier parts of Walker have all been knocked down or regenerated lately so we gave up on reality and came closer to home. A few more hours driving around our beloved Bensham and we came across a fabulous alley just of Saltwell Road. Red brick oppression on 3 sides.
Anyway recreating the 1980s in an anonymous alley isn't too hard, so we managed without a big crew. In fact this was the smallest crew yet: just me, James, Richy (who was acting in this scene too), Dougie and Dryden. Needless to say, without the extra bodies, we cracked through the sequence of 3 scenes really quickly and we wrapped two hours early! This little shoot brought our number of shooting days to fourteen (including the two reshoot days) - which in some ways is silly considering principle photography was only 8 days, but 3 of the extra days related to new scenes that weren't even written when we shot in the summer and another was yesterday - which as I said was always an extra day. Then as you'll know if you've been following this production from the start we had some major problems in production - so really it's not too shabby at all.
David is up from Leeds at the weekend and then we'll sit and put the new footage into the timeline; and at that point we will pretty much have the entire film in front of us for the first time and then we'll know if we have anymore shots to pick up. From there it's on to final cut, the grade and the mix... the finish line is well and truly in sight.
Will try our best to keep this busy during the shoot and post-production.