This was our first feature film. It was for James and I, for David (the editor) for Richy (DoP) for a few of the cast and most of the rest of the crew. As it's a self-funded micro-budget we are missing lots of positions who would be on a bigger film - and so certain things haven't been prepared correctly. Including the reels - when one department's assistant hands over to another departments assistant then things generally run smoothly. When the producer (muggins here) is both departments' assistant - and everyone else's assistant too - things go wrong. Again and again and sometimes again!
I spent 3 days re-locking the reels last week - THREE days to do an assistant's job - and I STILL got it wrong! Jeez what an embarrassment - in the end Aris had to get a mate of his to do the job… Ha, I really think this film is cursed sometimes - and the fact it hasn't driven anyone to drink or drugs yet is nothing short of a miracle! Anyway it's not all bad - Therase, lovely Therase, who plays Charlotte has emigrated to Australia and we needed to get a few of her lines re-recorded… Clearly a trip to Rich's studio in Newcastle was out of the question! Finally after nearly a month of near misses, unreturned phone calls and scheduling SNAFUs we managed to get her into a great little studio Down Under - The Sydney Sound Brewery - check it out if you need to record an album or even just a few lines of dialogue. Tell John I sent you - hopefully that won't make him run for the hills! Our poster is just about done and I'm currently looking at DVD and CD packaging options as well as merchandise design. What else??? We're going into the sound mix in April - woo! AND we have our first screening booked. It won't be the first screening we have, but it's the first one booked in!!! Details here soon. Finally we're looking at dates and venues in Newcastle for our WORLD PREMIERE… Again details here soon.
2 Comments
accept no substitutes.35 months ago Pob and James went for a pint to The Cluny, there's nothing in that - at the time we were talking about working together on some comedy sketches. Anyway, when I when to pick them up, they were like a couple of kids on Christmas Eve. "We've come up with an outline for a feature film - something we can do on NO money" they babbled. "It's Pissheads Go Camping - but it's not just a camping trip, it's a stag do. We've even got a title The Stagg Do." You see one of our characters in Pissheads is called Staggy… he'll be the one getting married in the film! I was instantly on the hook - "yeah this is possible" I thought - it was finally an opportunity to take what we had around us and craft a story and film from that - we already had the characters, they had the plot - we had the kit… what were we waiting for? Fastforward 3 months, and 6 drafts later, we entered principle photography… which was HELL. Proper old fashioned hell, I could go into detail - but what's the point in raking over old ground? If you're really interested, read the archives from July and August 2011 as it was all blogged about at the time. Anyway we got through it and then some. I had my right knee reconstructed - we shot new scenes, scenes we dropped and scenes we fucked up the first time around. David (our editor) busted his balls to get us a decent cut, James and I spent hours and days shooting extra footage. Richy corralled some mates to help with a big reshoot/ shoot night and on we went. Ashleigh and The Kid (Chris) slogged their guts out on animations and visual effects, music was found and replaced, musicians were contacted. We edited, reedited, experimented - laughed, cried, pulled our hair out and generally got stuck in… And finally in December 2012, we had "picture lock". Then we ran out of money. Literally. James and I were flat broke and everything in the house decided to die at the same time. We had had so much momentum and then we stopped - dead. We didn't give up though, determined to get it finished and get it out there. As much for our own sanity as anything else. Stephen at Fantomeline kept grading - we kept praying for a lottery win and then came another kick in the teeth. An Irish film - The Stag was premiering in Toronto and it sounded remarkably like our film. How was that possible? What could we do? Without money not a lot… So we cried to ourselves (swore a lot) gritted our teeth and went on with our lives. In January though we learned that The Stag was getting a UK release in March… And we decided - let's beat them. Get out before them.
But there was still too much to do. I reckoned we had 5 weeks, Aris (our sound god) said we needed 6 to sort out the sound - which of course was recorded by 3 different people! He wanted to ADR - I didn't think the lads (Pob and Staggy - non-actors) would ever be able to do it… We STILL had no money. Anyway a load more favours were pulled in, Richy agreed to finesse Chris' VFX (he'd now moved to Leeds), Aris persuaded Rich to help us with the ADR sessions and to let us use his studio for the mix - and so the madness resumed… We're going into the mix next month, and we'll be going for our BBFC soon after and then finally we will be ready to release the film. It's rude, it's crude, it's insanity to the max. It's experimental both in storytelling and in filmmaking - if it were a drama we wouldn't need to explain ourselves - but apparently you can't make experimental (almost arthouse) comedies if they are chockful of low brow nob gags! Who knew? So I lied… what you gonna do about it? I really wasn’t going to do another blog about ADR, but we had so much fun earlier this week in the sessions with Si, Staggy and Pob that I just had to mention them. Tuesday morning was Staggy - he got a bit lost on the way to the studio and rang to say he had just gone past the “Middle Club” -- took me a few seconds to remember that St Peter’s is the bottom club (ask Pob about the time they had strippers in there on a Sunday!) Anyway by the time I put 2 and 2 together Staggy and his daft big red car showed up. It’s been months since we all last saw each other - so 10 minutes of catch ups before he headed into the booth to do his lines. He had a fair chunk to redo, but he did remarkably well - after a shaky start… His first line was “I spoke to Pob today” - but he said “I spoke to Bob today” - haha! Next up was Si - what a bloody find Si was. So glad we cast him - what a coup for a casting session in the Royal Quays! He had the least lines to redo and every one he managed in 1 or 2 takes - amazing, really. Talking to Si about the film’s release also gave us some interesting ideas about screenings - for the summer… stay tuned for more info. Then came the main man, Pob, the next day. Pob had LOADS to do, mainly because he also has the opening voice over and what we had in place there was always temp. Also Pob has this crazy knack of not actually moving his mouth in a way that resembles what he’s saying when he talks! We really worried it might end up looking like a badly dubbed Japanese film. Plus, to further complicate things he speaks at a million miles an hour and rolls all of his sentences into one another. GREAT. Anyway we cranked through it all and managed to finish early, which is always a bonus, plus James, Rich and I were absolutely howling with laughter during the session. It was Pob and James who came up with the idea for the film you see, so in many ways it’s a part of him like it’s a part of us. We’ve come a long way since their pissed afternoon in The Cluny. Anyway enough about ADR - seriously the end… well maybe a sentence next week when we have Ian Mac from the Suggestibles in! This week has also been full of digital delights getting WAVs (a high quality audio file) for all of the songs in the soundtrack. Got the last ones through on Thursday and I spent Friday afternoon listening to a playlist called The Stagg Do - and I LOVE it. More about the music in the next few days - it ROCKS and just goes to show how many talented musicians there are in this part of the world. And so onto the next ADR sesh… This one was going to be way more tricky! You see Craig Conway (Radgy) isn't based up here in the North East anymore, he's now permanently Darn Sarf. He reckoned he could get into a studio in Soho and do his lines there, and as a veteran of TONS of films we knew we wouldn't have to worry about his ability to match his lines and performance. BUT… There's always a bloody "but" isn't there? As regular readers of this blog know, we used three different sound recordists with three different sets of kit for the shoot! Poor Aris' ears are bleeding with all of the sound irregularities. Anyway, Craig has been rehearsing a theatre extravaganza at the CAST theatre in Doncaster - which is two hours south of Tha Toon. I decided it might be better for the ADR if we recorded it with Aris' special microphone which is what we're using for the rest of the sessions at Rich's East Wing Studio. Aris was free, Craig was amenable - and so we booked in the session for Friday; Craig only had a short window but he was up for it and so we were all set. Until a pencil in Aris' diary became an official booking, and he suddenly was no longer available! Jeez this film feels cursed sometimes!!! So some frantic rescheduling took place and finally at 9:30 on Wednesday night we were finally rebooked for Thursday lunchtime. Aris and I set off for Sunny Donny first thing in the morning made it there on time, after nearly being run off the road by some awful drivers on the A1 and then being confused by changes to the Doncaster one way system that were not on the sat-nav. What a beautiful theatre, the CAST is - a beautiful, modern, multi-purpose space with fancy fountains outside. We hooked up with Craig, took over a meeting room and then Aris set up his portable ADR system - what a pro. Craig was an absolute trooper - considering he's been rehearing dance numbers for 3 weeks… He even managed to wangle an extra half an hour to finish off his lines. He said watching the clips made him remember how much the lads laughed their arses off throughout the filming. We showed him a few other clips and the outtakes and then it was time to head back to Geordieland after a quick pitstop in Tesco for a sarnie and a bag of crisps. I'd like to extend my sincere thanks to Craig and Aris for busting their balls to make sure we got the lines rerecorded and also to the staff of the CAST theatre and the people involved in Craig's show for helping us along the way. More ADR coming soon… Including - what do you do when one of actors had emigrated to Australia??? HELLOOOOO! Sorry I’ve been gone for so long - 14 months or so I reckon… so what’s shaking people? I really must apologise again for going radio silent for sooo long and I’d really struggle to explain what happened. Safe to say, we ran out of money - came close to raising investment twice, only to be disappointed at the final minute - and then as John Lennon said “life is what happens when you’re busy making other plans”. In other words while we’ve been scheming ways to get this film finished - 14 months went by and a shitload happened. Anyway so sorry for being so crap people. We haven’t forgotten and we haven’t quit - it’s just that 2013 was a total clusterfuck of a year… We even discovered there’s a new Irish film (shot last year) - remarkably like ours called The Stag (I know - WTAF) that’s coming out in mid March. All I can say is DON’T GO AND SEE IT, especially not thinking it’s ours… Remember ours is authentic Geordie cinema - not Irish. And really sweary. Really, really sweary in fact. These delays could help us out though - on February 24th, 2014 the BBFC’s new certification guidelines kicked in; meaning we might yet get a 15 certificate! So enough preamble and daft slavvering on - let’s do an update of where we are up to: The grade is just about there - thanks Fantomeline (Steve, you ARE a trooper). The bits of VFX that The Kid (aka Chris Nicholls) was undertaking have been finessed by our DoP, Richy Reay - without the graft of Chris though we’d’ve been stuffed ages ago. Richy Reay has also created a couple of other VFX spots for us AND a really FANTASTIC opening credits sequence - seriously he’s a man of many talents! Next up: the man, the legend, Aris has undertaken the mammoth task of sound post-production. Not an easy feat when you consider that we have 3 different sound recordists on the film! Anyway GIVE THE MAN A MEDAL - he’s cracking on with it. Last Friday we had our first ADR session - with Sir Billy of Fellows (The Judge) at The East Wing Studio in Byker. It was a great success thanks to the skills of both Bill and ADR Supremo of the North East: Rich McCoull… Now how’s that for a cracking name??? FINALLY: I will be updating frequently over the next few weeks as we hurtle towards our release date (TBA ASAP) and the poster (created by the immensely talented Mark Jobson) will be available for your delectation shortly. Thanks for not quitting on us.
Zahra, James and the Stagg Do team. x Well once again things ground to an almost halt with the film. We tightened a few edits tweaked a couple of things and replaced the last bits of temporary music then... Nowt, nada zip. There wasn't much more we could do, we still needed money for the grade and mix and we were still waiting for a couple of effects shots; as I've said before when people are doing stuff for nothing or for very little money then it tends to go to the back of the queue - behind things like oh money and life! Anyway we finally caught a break a week or so ago and after what seems like forever I think the grade is finally booked in. And so my boring life as an assistant editor resumes. We bought a new hard drive to house the project (isn't it pretty?) and right now I am transferring the full quality version of the project across to its new home - G-Tech. There is soooo much footage and what not that I am transferring nearly 2 terabytes of data across; all I can say is thank goodness for firewire 800! This process is very slow and once it is done (in about 13 hours time) then the really really fun* stuff can happen - the conform. *even more boring I tested this process a few months back to make sure I knew what I was doing - and at that time everything seemed to work, it's just incredibly mind-numbingly tedious. Of course last time I also had to re transcode everything at full quality, whereas this time it's just a case of moving stuff over and then checking it all does what it is supposed to do. Anyway we should have a graded film by late January which will give the opportunity to have the first showings on Valentine's Day. That's the goal anyway - if you remember the original goal was to have it finished by the end of 2011! Then it became September 2012... hopefully third time lucky and we can be done in time for a nice romantic release date. Way back when, I had an idea - a way to kind of "include the crowd" in the making of this film - and it's been a mixed bag to be honest. What I wanted to do (but I have never really had the time to organise or promote it properly) was to get people to submit videos from stag dos they have been on to include in the opening credits of the film. We have had a couple sent in but the rest have been found through research, hard work and super-duper lucky-ass networking on social media. What this has meant it watching a TON of stag do videos (usually on Youtube) and then getting in touch with the posters... You boys sure have a lot of fun on those stag nights/ weekends huh??? Common themes are the Prague pub crawl, the mankini a la Borat, paint balling and getting whipped in Coyote Ugly in Magaluf. It's funny there are so many hen and stag dos in Newcastle that we hardly bat an eyelid when we see them going on - the question is are the public ready for four Geordie lads in a sweary comedy about a stag do? I guess we'll find out soon enough. Reels 2 and 3 are locked, reel 1 is still waiting for the VFX shots and reel four just needs the animation tweaking... So close I can smell it (at least I think it's the finish I can smell and not my ass). What are your stag do stories? Anything you can share? It seems like all I've been doing for ages is saying, "the film is nearly finished" and it is. What's been taking so long? Real life, day jobs, bills, mortgages and general cash (or lack of) problems. Not exactly problems - just reality.
The good news is our editor, David, finishes his TV job this week and the last couple of effects shots are almost ready for him to place into the film. It'll then be a case of creating a high-resolution version (of course the fx have already been done in full quality mode) of the film in preparation for the grade. Then it's about half a day of ADR and voice over recording before the sound edit and mix. The music is done - and it's amazing - there are SOOO many talent unsigned and unknown bands up here; it's been an adventure and a pleasure discovering them. I really hope people enjoy the music as much as I do. It's really gratifying to find local musicians who can replace the likes of The Prodigy, Bob Dylan and The Stone Roses! We are exploring the option of releasing a soundtrack album to accompany the film and it would be great if people could support the local musicians who have helped us out with the film. I have used the Spotify logo for this blog to signify discovering new music as it's a bit of a running joke in FNA that I don't really seek out new music - that's why I've surprised myself with the enthusiasm that I had for searching for new sounds and then seeing them fit seamlessly where a well known tune had previously appeared to be the perfect fit. Overall we are a couple of months (maybe even 3) behind schedule, but we should still be done this side of Christmas - as long as we have no other set backs or financial meltdowns. I'm not much into wonga myself - and often think my life would be much simpler without it. But the reality is that money buys time and time is the commodity the that is most valuable of all. What happens when you make a film like The Stagg Do without any money is that every now and then (actually almost always) people have to put their work for the film on the back burner - this is as true of James and I as it is of other crew members. We've all got bills to pay. Obviously it's frustrating having to constantly push deadlines, and in turn the release of the film, back - but without money to pay for people's time - then we are in the hands of the gods. David, our editor, has a job on a TV show at the minute; Chris, our VFX guy, has a full time job AND a part time job; James and I have obligations to a couple of community projects and we've so far lost 2/3 other vital post-production crew roles to other paid work in the last six months. We are so close to being finished - but we're not there yet. There isn't a ton to do: just a couple of FX shots, the credits, the grade, the sound edit and sound mix. But we're not there yet. Which is a pain in the ass - because we were supposed to be releasing the film this month. There's no way that's going to happen now - because we still have too much other work to do, which delays the finishing the film work. This might all sound negative - but it isn't - we've done loads towards finishing. Things that six months ago didn't seem possible. We've replaced all of the temporary (well-known) music with music from unsigned bands and artists - and we're REALLY happy with the new stuff - I think the soundtrack album is going to be amazing... I'm really happy with it. And we got the guys into the studio to take some photographs for the poster - which is now almost ready to be released (thanks Mark!!!). So it's not all negative - it's just disappointing for us, our cast and crew and more importantly our audience that we are having to postpone the release. Don't lose faith in us - we are 99.5% there and the remaining point five is in hand (kind of). It's bizarre - because 2012 (bababaaaaaa) is a leap year, the days are all out of whack, anyway we started shooting this a year ago this past Saturday and a year ago today was DAY 5. Infamous day 5 of the shoot. I'm not going to go into details here and rehash it all - click the link if you're interested - but I will say this: If you had told me ONE YEAR AGO TODAY that we would be this close to finishing the film then I wouldn't have believed you. Well I wouldn't have not believed you - but I would've doubted you!
Still that's all time passed now, water under the bridge and all that jazz - cliché, cliché, cliché... And now we're on the home stretch, 20 of 27 songs on the soundtrack replaced - picture 99% locked, credits commissioned then just mix and grade to go whoop. Have also seen the rough version of the poster that Mark has been working on and I have to say, I love it - I hope you all do too. So it's funny, 372 days ago I would've thought we would be mid way through the release cycle of the film - but 365 days ago - I thought we wouldn't even have a film. The fact that we're almost there is thrilling for James and I. Am hoping to have the music all sorted in the next 10 days or so and then it's the mix. Keeps us on track for mid-third week in September release. |
AuthorWill try our best to keep this busy during the shoot and post-production. Archives
July 2016
Categories
All
|